The Prize


Author: Julie Garwood

Publisher: Pocket Books (1991)

Pages: 408

Synopsis: In the resplendence of William the Conqueror’s London court, the lovely Saxon captive, Nicholaa was forced to choose a husband from the assembled Norman nobles. She chose Royce, a baron warrior whose fierce demeanor could not conceal his chivalrous and tender heart. Resourceful, rebellious and utterly naive, Nicholaa vowed to bend Royce to her will, despite the whirlwind of feelings he aroused in her. Ferocious in battle, seasoned in passion, Royce was surprised by the depth of his emotion whenever he caressed his charming bride. In a climate of utmost treachery, where Saxons still intrigued against their Norman invaders, Royce and Nicholaa revelled in their precious new love…a fervent bond soon to be disrupted by the call of blood, kin and country!

Available at: The Book Depository UK; The Book;


The Prize, by Julie Garwood, is yet another battle between nations made through a battle of lovebirds type of story (for more on this subject see A Kingdom of Dreams), and this time it all happens during the Norman invasion of England in 1066. The girl, Nicholaa, a fair and stunning Saxon, in charge of her household, land, kin, and who can use a sling like no other; and  the  man, Royce, a dark and huge Norman Baron, warrior, trainer of men, and who can open a hole in the wall by throwing a bastard at it, will pretty much experience love at first sight when Nicholaa’s home is taken over by the Normans with Royce leading the conquest. But that’s not all, for he must also bring the woman herself to his King so she can be married off to a Norman knight -this being the exact meaning of a prize. Nicholaa manages to deceive him at first and actually escape, but since apparently she can not run without tripping and ending at the bottom of a ravine (and because Royce runs faster anyway), soon they are on their way to the King’s court in London. Terrified to meet her fate, Nicholaa unexpectedly does something the King and Queen will be so thankful for, they reverse the choosing process, granting her the liberty to pick who she wants for a husband, instead of making her The Prize for a bunch of men to fight over. And in a supposed act of revenge for taking her there against her will and ultimately making her go through it all, she picks Royce (*rofl*).

Contrary to what it must sound like, there’s not a lot of drama envolving the couple’s relationship. I say this because, very often medieval historical romances like to drive the reader mad making him think there’s no way the couple can get together, either because they’re severely proud, hate each other to an extreme, or simply because there’s one or more evil characters in the way. In this book, neither of these is a big deal. Are they proud? Yes and no, they obviously are, but put their pride aside when together. Do they hate each other? Yes and no, as Nicholaa says “I don’t hate you Royce, but I do dislike you sometimes” . Are there evil characters interfering? Yes and no, because there are a few, but you barely notice.

So, in a way, this lack of drama and conflict was a good thing – a nice change from the usual let’s-fight-over-every-single-stupid-event, pout for a day or two, and then forget it all with wild, steamy, angry sex (I’m not complaining, just saying), however, for me, this also decreased a bit of the fun that comes with it – watching a stubborn couple going over each other’s throats is one of the perks, if not The Perk, of reading historical romances. Other downside to this, was having a sometimes overly submissive and weeping (therefore, annoying) Nicholaa, it’s shocking how she doesn’t throw breakable things at Royce in a few occasions, as I most certainly would, if I was her. Despite this, I loved her unaffected and trusting nature, Royce’s patience and unexpected calmness (even if he’s a control FREAK who needs a beating), their many, many, many lovely dialogues, and mostly, the complicity they share almost from the beginning without noticing.

In the end, this book reminded me a lot of Susan King’s The Swan Maiden, and yes, of Judith’s McNaught’s A Kingdom of Dreams -there, I said it- which is always a good sign, nevertheless, for me, the romance in this doesn’t have the emotional depth, or memorable lead roles of the first two, neither the crave-for-more wittiness of the second, even if the scene where Nicholaa tries to get Royce drunk, ending up drunk herself instead, is 100% epic.

Rating: 6,5/10


One Response to “The Prize”

  1. 1 Castles | Cuidado com o Dálmata

Deixe uma Resposta

Preencha os seus detalhes abaixo ou clique num ícone para iniciar sessão:

Logótipo da

Está a comentar usando a sua conta Terminar Sessão /  Alterar )

Google photo

Está a comentar usando a sua conta Google Terminar Sessão /  Alterar )

Imagem do Twitter

Está a comentar usando a sua conta Twitter Terminar Sessão /  Alterar )

Facebook photo

Está a comentar usando a sua conta Facebook Terminar Sessão /  Alterar )

Connecting to %s

%d bloggers like this: